Goodbye to Language | Dogme Year Zero
Tom Atkinson concludes a Cannes experiment he undertook in lockdown.
Tenet | Dogme Year Zero
Kirsty Asher looks to Christopher Nolan's tentpole behemoth to better understand movie studio arrogance.
Uppercase Print | Dogme Year Zero
Ben Flanagan reflects on his last in-person festival of 2020: the Berlinale.
#mydreampalace | Dogme Year Zero
Cathy Brennan takes on the cinematic institutions that have failed workers during the pandemic.
Harakiri | Lang
Serena Scateni pulls out the imperialist practices afoot in Lang's 1919 Madame Butterfly adaptation, Harakiri.
The Wolf of Wall Street | Lang
Cathy Brennan finds that Dr Mabuse and The Wolf of Wall Street's Jordan Belfort have a lot in common.
Metropolis | Lang
Katie Hogan asks whether the woman-as-robot character in fiction can only be in the image of the Maria-bot in Metropolis.
M | Lang
Joseph Owen finds only despair and prison anxiety in the works of William Faulkner and serial killer thriller M.
Night Hunter | Lang
Fedor Tot investigates why Fritz Lang's moral ambiguity influenced so many, but could be skilfully deployed by so few.
The Lineup | Lang
Patrick Preziosi finds Lang's immediate influence in two 1950s Columbia noir films: Don Siegel's The Lineup and Edward Dmytryk's The Sniper.
Drug War | Lang
Tom Atkinson finds the Lang in one of the German auteur's most prolific spiritual descendants: Johnnie To.
The Indian Epic | Lang
Ben Flanagan breaks down Fritz Lang's Abbey Road: the large-scale political quagmire of The Indian Epic.
Nanook of the North | Sus
Joseph Owen examines the power of knowledge and perception in Robert Flaherty's Nanook of the North.
The Other Side of the Wind | Sus
Ben Flanagan makes the case for Orson Welles' long-lost masterpiece The Other Side of the Wind as a hybrid documentary on the death of a genius.
Dreams of a Life | Sus
The public perception of a dead woman is challenged in Carol Morley's Dreams of a Life, as Orla Smith writes.
Handsworth Songs | Sus
Satya Hariharan draws a line across history from 1980s British police violence in Black Audio Film Collective's Handsworth Songs to our present moment of image saturation.
The Mind of Jake Paul | Sus
Cathy Brennan documents her fragmented thoughts and frustrations working her way through the filmography of corrupt YouTube auteur Shane Dawson.
The Viewing Booth | Sus
Regarding The Pain of Others: Two new festival hits - Me and the Cult Leader and The Viewing Booth - are investigated by Catriona Mahmoud for what they can teach us about how we receive images and use them to shape our beliefs.
Inventing the Future | Sus
Thomas Atkinson surveys the digital documentary future promised by Isiah Medina's Inventing the Future, and says: 'Is this it?'
Arboretum Cycle | Sus
Maximilien Luc Proctor finds potential energy in landscape portraits in the experimental films of Nathaniel Dorsky, Teo Hernandez, and James Benning.
Billy Liar | Apocalypse
Rhys Handley deconstructs the hopelessness of the Macmillan era in Billy Liar.